Digital Camera Review

BenQ T850

Posted on June 3, 2008 by jonathanb

The BenQ T850 (announced 28 May, 2008) is a super slim touch screen digital camera featuring 8 megapixels, 3x optical zoom lens (38-112mm equivalent) and a 3.0 inch TFT LCD touch screen.

With the 3 inch touch screen almost all camera functions can be accessed and engaged by using one of three simple finger movements: tap, circle, swipe. At only 14.9 mm thick and weighing just 120 grams the BenQ T850 also features a Super Shake-Free setting, Auto Face Tracking and up to ISO 1600.

Wrapped in a stainless steel casing the BenQ T850 is available is black or red.

BenQ T850

BenQ T850 Press Release

BenQ’s New T850 8M Digital Camera Has Users Smiling

EUROPE, May 28, 2008 – BenQ announced the launch of the world’s slimmest 8-mega-pixel digital camera, the T850 with 1600 ISO, 3x optical zoom and smc PENTAX lens. Sleek and compact at 14.9mm thick, the T850’s chic stainless steel casing (available in black or red) reflects the minimalist operating ease of the camera. Exceptional efficiency and user-friendliness are made possible by the highly intuitive photo taking and photo editing functions, which center around smartly organized circular touch buttons on the 3” TFT LCD screen. Furthermore, almost all camera functions can be accessed and engaged by using one of three simple finger movements: tap, circle, swipe. In fact, the T850 standouts among touch screen cameras as the only one employing a natural “swipe” gesture for viewing photos and video. A comprehensive selection of options including “Smile Catch”, Auto Face Tracking, Z Lighting, advanced photo art, scribble & scrawl and Quick Bar make the T850 a fabulously fun companion for bringing enjoyment and quality to today’s digital life.

Photo Taking So Simple, It’s Second Nature!
Spontaneous, quick, spur-of-the-moment. Such is what defines that special moment so precious to capture in a photo. And that’s exactly what defines the T850: controls and menus so simple and second nature that capturing a spontaneous moment is a snap. No pressing button after button to navigate through multiple menus. The T850 has pared down complex camera operations to a minimalist, logical approach. Circular touch buttons (just the size of the fingertip), which can be pulled up instantly on the extra-large screen, get users to the right setting fast so the moment isn’t just a memory. Plus, the T850 features a Quick Bar that gives users even faster access to 80% of all photo taking needs. For customized convenience, users can add three of their favorite functions to the Quick Bar. Intelligently designed touch-screen icons that clearly represent their functions further eliminate the confusion typical of other complicated camera menus.

Tap, Circle, Swipe for Easy Navigation and Photo Editing
Once pictures are taken, users can easily view and enhance photos via three types of finger motions on the screen. To reset the focal point, simply tap the preferred spot on the screen, and the T850 will re-center and automatically refocus the image. To enlarge a specific portion of the image, simply draw a circle around the location with your fingertip. The T850 will instantly perform a 12x zoom to the circled area. Plus, by using the picture cropping mode, users can save the enlarged image as a new image. Playback is no longer a pain with the T850’s ingenious functionality, which includes “swipe” recognizing ability – it’s the only camera currently available to perform functions with a simple finger swipe across the screen. While reviewing pictures, swipe a finger right to left across the screen to see the next picture; swipe left to right to see the previous image. When playing video or audio content, users can tap the playback bar forward (advance) thus eliminating the hassles of restarting the content from the beginning every time. The T850 is also equipped with advanced photo art functions. Touch screen capability lets users free-hand scribble and scrawl fun captions and drawings to photos. In addition, users can select from a numerous callout balloons and photo backgrounds/frames.

User-Friendly Conveniences
Despite a minimalist approach for operational ease, the T850 is packed with an array of thoughtful features for picture-perfect results. A high ISO 1600 lets users take pictures in dim lighting without artificial flash. “Z Lighting” enables users to adjust the image’s lighting after the photo has already been taken. The T850’s brilliant “Smile Catch” mode captures every elusive smile by automatically shooting in rapid succession, stopping only when the shutter button is pressed again. Competitors’ similar function can only shoot up to six times in succession. And for capturing life in fractions of second – such as for action shots – a “12 Burst” feature snaps 12 pictures in one second! Crisp, clear, well-defined pictures are guaranteed with a Super Shake-Free setting and Auto Face Tracking, which can fine-tune up to nine faces in one frame – perfect for scenes with many people. The T850’s 30 preset modes range from standard auto and video to more exact settings such as “Museum,” “Party,” “Beach” and “Fireworks.”

Benq T850

Posted in BenQ, Digital Cameras | Tagged BenQ, BenQ T Series | Leave a comment

Tamron SP AF 70-200mm F/2.8 with Built-in AF Motor for Nikon

Posted on May 30, 2008 by jonathanb

The Tamron SP AF70-200mm F/2.8 Di LD (IF) MACRO (Model A001N II) is a lightweight and fast F/2.8 tele-zoom lens designed for full-size SLR cameras with a built-in AF motor for use with Nikon cameras.

Tamron’s SP AF70-200mm F/2.8 Di LD (IF) MACRO (Model A001N II) was developed under the same concept as the SP AF28-75mm F/2.8 XR Di (Model A09) a lens highly evaluated by many users around the world as a compact and fast zoom lens boasting a high cost/performance ratio. The 70-200mm is a fast F/2.8 zoom lens that is compatible with full-size SLR cameras and covering an extended telephoto range.

While preventing the lens from becoming bulky, Tamron successfully realized the minimum focus distance of 0.95m over the entire zoom range for a maximum magnification ratio of 1:3.1 at 200mm. Combined with the advantage of an internal focusing system, this lens enables the user to enjoy stress-free close-up photography.

The SP AF70-200mm F/2.8 zoom lens covers a focal length range from 70mm medium telephoto to 200mm real telephoto when mounted on a full-size SLR camera while covering a 35mm-equivalent focal length range from 109mm to 310mm ultra telephoto* (diagonal angle of view of 7°59’) when used with a digital SLR camera equipped with an APS-C sized image sensor.
*35mm format equivalent (Tamron’s conversion value is 1.55x)

Tamron SP AF 70-200mm

Main Features

1. Minimum focus distance of 0.95m (in.) over the entire zoom range for 1:3.1 maximum magnification ratio
Tamron has realized the minimum focus distance of 0.95m (in.) over the entire zoom range for the first time in the class of F/2.8 fast tele-zoom lens compatible with 35mm full-size SLR cameras. The maximum magnification ratio at its 200mm tele end is 1:3.1. As a result of the thorough pursuit of ideal power distribution within the whole optical system, the lens accepts popular 77mm filters.

2. Innovative optical design striking balance between soft out-of-focus effects and sharpness
In order to strike a balance between the capability to derive soft out-of-focus effects and sharpness for acknowledging Tamron’s tradition, the lens makes lavish use of as many as three LD (low dispersion) glass elements for minimizing on-axis and lateral chromatic aberrations which become major image degradation factors. Thanks to this innovative optical design, the lens realizes high definition and high contrast performance as well as optimum flatness of field, providing outstanding optical performance in all photographic situations and over the entire zoom range.

3. Lightweight tele-zoom boasting F/2.8 constant maximum aperture
Tamron has realized the light weight of 1,150g ( oz.) for the F/2.8 fast tele zoom lens by using in its barrel parts made from engineering plastic materials having superior dimensional stability and strength even sufficing conditions for industrial applications.

4. Thoroughgoing countermeasures against ghosting and flare, including internal surface coatings
Tamron employed multi-layer coatings in order to reduce reflections on lens surfaces as well as internal surface coatings (coatings on cemented surfaces of lens elements) in order to minimize reflections from the imager itself within the mirror box, a problem inherent to digital SLR cameras.

5. "Focus ring switchover mechanismA allowing AF/MF switchover in a single action (for Nikon and Canon AF cameras only)
The lens in mount for Nikon or Canon AF cameras is designed to allow the user to change the focus mode mechanically and electrically by simply sliding the focus control ring to and fro, for switching from the AF mode to the MF mode or vice versa in one single action. (In case of the lens in mount for Sony and Pentax cameras, AF/MF switchover operations on both the lens and camera sides are required, same as before.)
Since the lens employs an internal focusing system, the focus control ring of the lens (in all mounts for Canon, Nikon, Pentax and Sony AF SLR cameras) does not rotate at time of focusing or zooming, providing good holding and balance in all photographic conditions in the AF mode, while focusing can be smooth and accurate in the MF mode just like a manual focus lens.

6. A lightweight, detachable and durable tripod grip ring made of aluminum is supplied as a standard accessory.

7. Flower-shaped lens hood as a standard accessory
The lens is supplied with a flower-shaped lens hood as a standard accessory designed to efficiently cut harmful light entering from angles other than intended angles at four corners of the frame in order to ensure clear descriptive performance.

Posted in Lenses, Tamron | Tagged Tamron, Tamron SP AF70-200mm F/2.8 | Leave a comment

Fujifilm FinePix Z200fd

Posted on May 30, 2008 by jonathanb

The Fujifilm FinePix Z200fd (announced 22 May, 2008) is a stylish, ultra compact 10 mega pixel point and shoot digital camera. The FinePix Z200fd is ultra slim at just 19.8mm thick and features a 5x optical zoom lens (33-165mm equivalent), dual images stabilization, and a wide 2.7 inch high resolution screen.

The Fujifilm FinePix Z200fd also features Face Detection Technology, 52 megabytes of internal memory, VGA movie capture of 30 frames per second, two brand new self-timer modes: Couple Timer and Group Timer, intelligent red-eye removal, and ISO 100-1600 sensitivity at full resolution.

Finepix Z200fd

News Release

Fujifilm introduces a stylish new snapper: the FinePix Z200fd

Fujifilm today announced the launch of the 10 Megapixel FinePix Z200fd, the latest addition to its popular range of ultra-slim, metal-bodied, high performance ccompact digital cameras.

Despite being only 19.8mm thick the FinePix Z200fd is packed with state-of-the-art technology including a 5x Fujinon optical zoom lens, Fujifilm’s acclaimed Face Detection technology, intelligent red-eye removal and Dual Image Stabilisation, as well as two brand new self-timer modes: Couple Timer and Group Timer.

It’s all about the timing
The FinePix Z200fd features two brand new self-timer modes: Couple Timer and Group Timer. Working in combination with Face Detection technology, the self-timer automatically sets off after the camera has detected faces in a frame. The camera won’t take the photo if one of the faces is out the frame, so there’s no need to worry about someone being missed out of the shot!

Cheek-to-cheek
The Couple Timer mode cleverly detects two faces in a frame and will automatically release the shutter button as the two faces come closer together. The Couple Timer mode has three settings so users can set the timer to detect faces at various distances, whether they are standing side by side, or cheek-to-cheek.

The more the merrier
Group shots have never been so easy. The FinePix Z200fd’s Group Timer mode can detect up to four faces in a frame and automatically sets the timer to take that precious shot. Using the Face Detection button, the user can select the number of faces in the frame, from one to four, and the camera will only take the shot once all the specified number of faces are in the frame.

Cutting edge design and packed with features
The FinePix Z200fd houses powerful features in an elegant, metal body. This stylish camera comes in four attractive colours – a black and red combination, pink, silver and black – and has a unique diagonally sliding lens cover with a snazzy ‘Z’ logo that illuminates when the camera is switched on. Its slim design means that it can fit easily into a cluttered handbag or jean pocket so your camera is always to the ready.

Beneath its trendy exterior, the FinePix Z200fd boasts an impressive Fujinon 5x zoom lens (33-165mm equivalent), Dual Image Stabilisation, which combines CCD-shift and high ISO to combat the problem of camera shake and blurry images, and ISO sensitivity up to 1600. There’s also Fujifilm’s Intelligent Flash system, which sets the power output to achieve natural foreground illumination with balanced background exposure for more natural looking photos. For users who cannot decide whether to use a flash or not, Natural Light plus Flash mode takes two photos in quick succession, one with flash and one without. Both photos are then displayed side by side for quick comparison allowing users to decide which one they prefer.

The FinePix Z200fd makes perfect portraits simple with Fujifilm’s Face Detection technology. Face Detection works by triangulating eyes and mouth, using an algorithm to optimise focus, white balance and exposure for up to ten faces in a single frame, and is not confused by spectacles. In addition, the automatic red-eye removal feature can find and instantly correct any red eye from every face in the frame, saving the user the time consuming process of doing it afterwards on the computer.

To share and share-alike
The FinePix Z200fd is a perfect social camera. In addition to the Face Detection technology and people-friendly self-timers modes, the FinePix Z200fd features a Blog mode, which resizes images for easy upload to social networking sites such as Facebook™, and an Auction mode, which combines up to four photos in one frame – ideal for eBay™ users. What’s more, the FinePix Z200fd’s IrSimple™ function allows consumers to share photos from one IrSimple™ device to another.

Real Photo Technology
Driving the FinePix Z200fd is Fujifilm’s unique Real Photo Technology (RPT). The guiding principles behind RPT are simple; to set the highest possible standards for overall image quality, to expand digital photography opportunities and to give users fewer wasted shots.

With the human eye as the ideal, Real Photo Technology cameras are designed from the ground up to capture ‘real’ photographs with stunning quality – giving users the power to capture the moment exactly as the eye sees it, no matter how challenging the shooting conditions.

Adrian Clarke, Fujifilm’s Director of Photo Products, said: "The FinePix Z200fd is the perfect ‘social’ camera for the user looking for a combination of classic styling and cutting edge features. We believe that consumers wanting a super-slim camera shouldn’t have to make compromises on image quality or features, and with the FinePix Z200fd they don’t."

FinePix Z200fd features at a glance

Ultra slim (19.8mm thick) styling with two-tone all metal body
5x optical zoom lens (33-165mm equivalent)
Dual Image Stabilisation
Face Detection Technology and automatic intelligent red-eye removal
52MB internal memory plus xD-Picture card, SD and SDHC compatibility
ISO 100-1600 sensitivity at full resolution
Wide view 2.7-inch high resolution screen
Playback features including Face Zoom and Micro Thumbnail (100 shot) view
IR Communication (IR simple™)
Blog mode and Auction mode
VGA movie capture of 30 frames per second with sound
New modes including Folder Select (categorise your photos using handy preset folders) and Illustration Mode.
PictBridge™ compatible for direct printing without a PC

Fujifilm Finepix z200fd front

Finepix z200fd back

Posted in Digital Cameras, Fujifilm | Tagged Fujifilm, Fujifilm Finepix, Fujifilm Finepix Z Series | Leave a comment

Tamron AF 28-300mm F/3.5-6.3 with Built-in AF Motor for Nikon SLR Cameras

Posted on May 30, 2008 by jonathanb

The Tamron AF28-300mm F/3.5-6.3 XR Di VC LD Aspherical (IF) MACRO (Model A20N II) is a high power zoom lens compatible with 35mm full-size SLR cameras from Nikon with a built-in AF motor and featuring Tamron’s proprietary VC (Vibration Compensation) mechanism.

Tamron’s AF28-300mm VC zoom lens has been highly evaluated by many photographers the world over since the introduction of the lens in October 2007, as a compact and high power zoom lens providing stabilized viewfinder images. The lens covers an angle of view equivalent to that of a 465mm ultra telephoto lens when mounted on a digital SLR camera equipped with an APS-C size image sensor. The ultra telephoto range is one where Tamron’s proprietary VC (Vibration Compensation) mechanism exhibits its compensation performance to the maximum extent. The lens enables the user to enjoy ultra telephotography with amazingly stabilized viewfinder images. The lens covers an angle of view equivalent to 43mm at its wideangle end, allowing the user to respond to a wider variety of scenes than tele-zoom lenses in the 70-300mm class do.

The AF28-300mm F/3.5-6.3 XR Di VC (IF) MACRO (Model A20N II) is a compact and high power zoom lens that can be used as a standard zoom lens. It allows not only the users of conventional 35mm film SLR cameras but also owners of digital SLR cameras equipped with APS-C sized image sensors to enjoy comfortable SLR photography of up to 465mm-equivalent ultra telephoto without hand shake.

Tamron AF 28-300mm

Main Features:

1. High-power zoom lens allowing comfortable ultra telephotography with stabilized viewfinder images
The lens covers everything from 28mm wideangle to 300mm ultra telephoto when mounted on a 35mm full-size film SLR camera and a range of angles of view equivalent to 43mm wideangle to 465mm ultra telephoto* (diagonal angle of view of 5°20’) when used with a digital SLR camera. Tamron’s proprietary VC (Vibration Compensation) mechanism exhibits its power particularly in ultra telephotography, allowing the user to expand his/her photographic creativity while enjoying the world of ultra telephotography.
* When mounted on a digital SLR camera equipped an APS-C sized image sensor, converted to 35mm format (Tamron’s conversion value is 1.55x)

2. Tamron’s VC mechanism compensates for hand shake
Tamron’s proprietary VC (Vibration Compensation) mechanism employs a "three-coil" system that is designed to let three coils drive a compensator lens electromagnetically via three steel balls built in the mechanism. Since the compensator lens is supported with rolling frictions of the steel balls, follow-up performance is enhanced while the simple construction realizes the compactness of the mechanism itself. A highly accurate gyro sensor built in the mechanism to detect hand shake delivers comfortable hand-shake compensation performance in combination with a 32-bit RISC CPU.

3. High power, yet features the VC mechanism and outstanding optical design
The AF28-300mm Di VC zoom lens is a product Tamron has developed by integrating advanced optical design technology Tamron has accumulated as the pioneer in high power zoom lenses, in order to strike an ideal balance between a vibration compensation mechanism and compactness. The optical system uses XR (high refractive index) glass elements, a GM (glass molded aspherical) element, hybrid aspherical elements, an LD (low dispersion) glass element and an AD (abnormal dispersion) glass element. The optical design designed to provide high definition and contrast performance as well as flatness of the field enables you to respond a wide variety of photographic scenes, as a lens designed by eyeing characteristics of digital SLR cameras.

4. Minimum focus distance of 0.49m over the entire zoom range for 1:3 maximum magnification ratio
The AF28-300mm Di VC sports the minimum focus distance of 0.49m over the entire zoom range, the top class capability among high power zoom lenses compatible with 35mm full-size SLR cameras. The maximum magnification ratio of 1:3 at the 300mm telephoto end is also the top class capability.

5. Internal surface coatings for thoroughly suppressing ghosting and flare
Tamron employed multi-layer coatings on lens elements for reducing reflections on lens surfaces as well as internal surface coatings (coatings on cemented surfaces of lens elements) in order to minimize reflections from the imager itself within the mirror box, a problem inherent to digital SLR cameras.

6. High power, yet lightweight and compact, thanks to inventive mechanical design
In designing the lens, Tamron thoroughly reviewed roles of respective barrel components in order to make it as compact as possible. As a result, the increase in the overall length of the new model is confined to 17.8mm and 5mm in the maximum diameter compared to the conventional AF28-300mm (Model A061), despite the VC mechanism now incorporated.

7. Zoom lock mechanism for convenience in carrying the outfit
The lens has a built-in zoom lock mechanism to prevent sliding fall of its barrel when the outfit is carried around.

8. Flower-shaped lens hood as a standard accessory
The lens is supplied with a flower-shaped lens hood as a standard accessory designed to efficiently cut harmful light entering from angles other than intended angles at four corners of the frame in order to ensure clear descriptive performance.

Posted in Lenses, Tamron | Tagged Tamron, Tamron AF 28-300mm F/3.5-6.3 | Leave a comment

Tamron SP AF 28-75mm F/2.8 with Built-in AF Motor for Nikon

Posted on May 30, 2008 by jonathanb

The Tamron SP AF28-75mm F/2.8 XR Di LD Aspherical (IF) MACRO zoom lens (Model A09NII) is a lightweight and compact standard zoom lens for Nikon and compatible with 35mm full-size SLR cameras featuring a fast maximum aperture of F/2.8 that is constant over the entire zoom range. The lens enables the user to enjoy the creative world of SLR photography by boldly exploiting attractive out-of-focus effects peculiar to the fast maximum aperture in portraiture or using high shutter speeds.

Tamron SP AF 28-75mm

Main Features

1. Lightweight, fast standard zoom lens featuring Tamron’s proprietary XR technology
The optical system designed to optimize the power distribution within the system by the innovative employment of XR (high refractive index) glass elements has realized the compactness while effectively compensating for various aberrations. Four hybrid aspherical elements placed at ideal positions ensure high depictive performance while contributing to downsizing the overall length. In addition, three LD (low dispersion) glass elements deliver high quality images.

2. Minimum focus distance of 0.33m over the entire zoom range for 1:3.9 maximum magnification
The SP AF28-75mm F/2.8 XR Di sports the minimum focus distance of 0.33m over the entire zoom range, the closest distance among fast standard zoom lenses in the class. With Tamron’s conventional SP AF28-105mm F/2.8 zoom lens, the minimum focus distance changes (0.5m at 28mm/105mm but 0.44m in the 70-85mm range). However, the SP AF28-75mm F/2.8 XR Di retains the minimum focus distance of 0.33m over the entire zoom range thanks to improvements in its optical and mechanical designs. The maximum magnification ratio of 1:3.9 at the 75mm tele end enables you to enjoy close-up photography easily.

3. Mechanical design improvements for downsizing the maximum diameter while minimizing changes in zooming torque
By the employment of various improvements in its mechanical design, Tamron has successfully packed the complicated lens configuration into a compact body for downsizing the maximum diameter of the lens. In addition, the improved mechanical construction minimizes changes in zooming torque for enhancing operational ease. Hidden improvements are also made from the perspective of manufacturing engineering to enhance the accuracy of parts, realizing the light weight and increasing durability.

4. Zoom lock mechanism for convenience in carrying the outfit
The lens has a built-in zoom lock mechanism to prevent sliding fall of its barrel when the outfit is carried around.

5. Flower-shaped lens hood as a standard accessory
The lens is supplied with a flower-shaped lens hood as a standard accessory designed to efficiently cut harmful light entering from angles other than intended angles at four corners of the frame in order to ensure clear descriptive performance.

6. Form and texture appealing "high performance and the feel of high accuracy" worthy for the name "SP" – Outer design matching the new generation lens
1) Two gold-colored metal rings are placed at a key portion of the lens in order to enhance the visibility of the symbol of Tamron’s "SP" series.
2) The rubber pattern of the zoom and focus control rings has been changed to a pattern that is denser than the conventional rubber pattern, for better feel and touch in manipulating the lens.
3) Typefaces on the lens have been changed for better visibility.
4) Delicate matt-finish painting is added to the black painting over the lens barrel in order to enhance high quality image.

Posted in Lenses, Tamron | Tagged Tamron, Tamron SP AF28-75mm | Leave a comment

Olympus PT-E05 Underwater Case for the E-520

Posted on May 30, 2008 by jonathanb

Olympus have announced an underwater casing for its new E-520 Digital SLR camera. The PT-E05 is waterproof up to 40m, and constructed of semi-transparent poly carbonate. The required, optional lens ports allow the use of lenses from the 8mm fisheye through the 50mm macro for spectacular underwater photography.

Olympus PT-E05 Underwater Case

Press Summary

The PT-E05 underwater case has been specially customized for Olympus E-520 and is waterproof up to a water pressure equivalent to a depth of 40 metres.

With its durable, high quality polycarbonate construction, it protects the camera from water while also cushioning it from knocks and bumps on land.

As a genuine advantage to the underwater photographer, he can make use of the Live View function and use the large 2.7″/6.9cm LCD instead of the viewfinder.

The flash connectors allow optional use of up to two UFL-2 underwater flash units.

Five interchangeable lens ports allow the optional use of 14-42mm, 14-45mm, 11-22mm or 14-54mm, 7-14mm, 8mm Fisheye and the 35mm as well as the 50mm Macro lens.

External flash necessary.

The PT-E05 will become available in summer 2008.

Posted in Accessories, Camera Accessories | Leave a comment

Olympus E-520 Digital SLR Camera

Posted on May 14, 2008 by jonathanb

Olympus has launched the E-520, an update of its E-510 digital SLR camera released in June last year. The key new features in the Olympus E-520 include in-body image stabilizer with a compensation effect of up to 4 EV steps allowing image stabilization shooting across a wide range from super-wide-angle to super telephoto at up to 33x, enhanced "Live View" shooting with new "High-Speed Imager AF", "Face & Back Control" for clearer reproduction of both faces and backgrounds, as well as a new 10-megapixel Live MOS Sensor and TruePic III image processing engine.

Other features of the Olympus E-520 include: Dust Reduction System, 3.5 frames-per-second sequential shooting, Built-in flash with wireless flash control, Continuous AF mode with improved focus tracking, 11-point multi-area auto focusing, "Perfect Shot Preview" function to compare the results of various effects before actual shooting, ISO Sensitivity up to 1600, and a new 2.7-inch HyperCrystal II LCD monitor with improved visibility in Live View shooting and picture playback.

Olympus E-520

Olympus E-520 Features:

10-megapixel Live MOS Sensor
TruePic III image processing engine
In-body image stabilizer
11-point multi-area auto focusing
9-point Multi-Pattern Metering available as well as centre-weighted average metering and spot metering
ISO Sensitivity up to 1600
Dust Reduction System
3.5 frames-per-sec. sequential shooting
Built-in flash with wireless flash control
2.7-inch HyperCrystal II LCD monitor with improved visibility in Live View shooting and picture playback
5 scene programme modes and 20 scene select mode available
"Perfect Shot Preview" function to compare the results of various effects before actual shooting
Continuous AF mode with improved focus tracking
Super Control Panel with excellent visibility and operability

Front Olympus E-520

Back Olympus E-520

Side View Olympus E-520

Olympus E-520 Reviews

CameraLabs has reviewed the Olympus E-520 and they write –
“So while it’s disappointing Olympus hasn’t made any major changes, like boosting the resolution, improving the AF system, enlarging the viewfinder, or fitting a flip-out screen, it’s testament to the earlier E-510’s specs that by making a few small enhancements, the E-520 remains a serious contender. Indeed while the competition now offers some key features you should carefully weigh-up, we can still confidently award the E-520 the Highly Recommended rating of its predecessor. If you’re shopping for a new DSLR at this price-point, it should be on your shortlist.”

Rating:

DigitalCameraReview has reviewed the Olympus E-520 and they write –
“Out of all of this, the obvious concern about the E-520’s versatility may be that it tries to do too much without ever landing cleanly in a niche or target market. That said, although I never fully connected with its odd yet somehow highly functional mixture of beginner swag and advanced-am swagger, the Olympus E-520 delivers crisp, colorful shots that are hard to argue with. And for aspiring photographers shopping in the sub-$1000 segment of the market, that may be a convincing enough bottom line in itself.”

Rating: Not Rated

Biofos has reviewed the Olympus E-520 and they write –
“It’s a little too early to conclude anything yet other than the E-520 appears to have the potential of being a world beating camera in its class. There’s a few things I want to check out further such as noise at raised ISO and the effect of noise reduction and Shadow Adjustment Technology. But if it performs anything like the E-3 it will be fine.

The cameras general performance causes me no distress at all. It is fast and responsive and has a super selection of dial, button and menu access to satisfy every level of users. I’m pleased to see mirror lock-up (I think all DSLR’s should have this facility as mirrors ’slap’ causing body vibrations); its absence was a huge disappointment with the E-400.

I have enjoyed my week with the camera so far and am looking forward to fine tuning this review with some in-depth study of more images. But, suffice to say so far I have no real issues to report, this is a great machine.”

Rating: Not Rated

TrustedReviews has reviewed the Olympus E-520 and they write –
“This isn’t a major upgrade by any means and wouldn’t warrant a switch from the E-510, but if you’re looking for a feature packed midrange DSLR, the E-520 is worth considering. The improvements, particularly the new image stabilization mode and autofocus accuracy of Live Modes show that these important technologies are still being perfected, and the latest versions on the E-520 are pretty much as good as they get at the moment.

Olympus still has problems with noise though, and this is letting down the full potential of the four-thirds system. As the push towards higher resolution continues, and competitors offer 15MP at similar price points, Olympus is going to encounter further difficulties as the photosites get smaller potentially leading to more noise. This can be seen with all of its 10MP models, and the E-520 is no exception.”

Rating:

ePhotozine has reviewed the Olympus E-520 and they write –
“First impressions are important, as that’s where most of us make a decision in the camera shop. As soon as I picked up the camera I was on the wrong footing. Had someone forgot to add the meat to the flesh? The light weight sent out the wrong signal. Then I tried Live View and was instantly disappointed by the slow focusing speed. Yes it’s one of the few that has AF in Live View but I couldn’t help wanting something that didn’t hunt around while using it. And to top it all I got confused with the menu system.

It took me a while to become familiar with the Olympus E3 and as I had’t handled that for a while I’d forgotten the different system. So It’s not going well. But then as I start to take photos, switch off Live View and get back to using the real camera I begin to see that there’s a very impressive set of features housed in a mid-priced camera. “

Olympus E-520 News Release

Everything Comes Into Focus With Olympus E-520 Digital SLR: Advanced In-Body Image Stabilization And Autofocus Live View Deliver Sharp Images

In-Body Image Stabilization Steadies Any Lens; Take-Anywhere Portable Design Means You’ll Capture It All

CENTER VALLEY, Pa., May 13, 2008 – The new Olympus E-520 digital single lens reflex (DSLR) camera delivers brilliant images thanks to advanced technologies that help take the blur out. Industry leading Image Stabilization built into the portable camera body compensates for movement so that images are sharp and blur-free with any lens and even at slow shutter speeds. Autofocus Live View brings subjects into sharp focus on the camera’s HyperCrystal™ II LCD. Together, these technologies produce amazing results, along with the following features that further expand the DSLR experience:

In-Body Image Stabilization with Supersonic Wave Drive™ technology provides blur-free images when using any of the more than 30 digital-specific lenses;
Face Detection Technology targets and locks on faces to ensure they are in focus and blur-free for amazing portraits;
Shadow Adjustment Technology opens up detail in the shadows that other cameras would render too dark or underexposed while maintaining detail in the highlights; and
Perfect Shot Preview enables photographers to view and select White Balance and Exposure Compensation effects right on the LCD, and see how the image will look before they even capture it.

"Beyond a successor, the Olympus E-520 features an array of new technologies that help photo hobbyists and serious digital photographers take remarkable images,” said John Knaur, senior marketing manager – DSLR, Olympus Imaging America Inc. “Its image stabilization system now lets photographers pan while holding the portable camera vertically – perfect for capturing everything from a sprinter breaking from the pack to the bride and groom walking down the aisle."

Enhanced In-Body Image Stabilization
For the first time, in-body Mechanical Image Stabilization has three modes for increased versatility. IS-1 mode for general shooting adjusts the sensor on both the X and Y axes to compensate for movement by the photographer so images stay sharp even at slow shutter speeds. To capture the motion of athletes and animals, and other moving subjects, the E-520 offers two specialized modes. IS-2 mode is ideal for capturing a racecar flying down the track, preserving the sense of motion while panning with the moving subject and holding the camera horizontally to dramatically portray the car’s high speed. For sharp images of moving subjects like a basketball player charging up the court, the IS-3 mode allows a photographer to hold the camera vertically while panning. The artistic effects of panning enhance the shot and render the player in sharp detail with blurred background.

The Live View Experience
The portable E-520’s advanced autofocus Live View enables photographers to compose their images and bring them into sharp focus on the HyperCrystal II LCD – just like a point-and-shoot camera. By simply pressing the shutter button halfway, subjects come into focus on the LCD, so when the perfect moment occurs it is easy to compose, focus and capture sharp images while viewing on the LCD. Live View makes it possible to shoot upward from a low angle for dramatic composition, in close for detailed macro photos of an exotic insect, or over a crowd of people at a tennis tournament.

New and Improved HyperCrystal II LCD
The E-520’s viewable HyperCrystal II LCD is the key to its Live View capabilities. While some LCD screens force photographers to squint to preview images in bright sunlight or a dimly lit room, the E-520 features a large, bright 2.7-inch LCD display that incorporates new technology. It also offers twice the contrast for better viewing in extreme light conditions, a larger color gamut that displays a greater range of color detail, and a 176-degree viewing angle.

Always Find a Face in the Crowd
The E-520’s Face Detection reduces the chance of blurred subjects in photography by distinguishing between people’s faces and the background. It tracks up to eight faces within the image area even if people are moving and automatically focuses and optimizes exposure for sharp, brilliant portrait pictures.

In Sunshine or the Shadows, Never Miss a Detail
Shooting scenes with shadows can be tricky because of the extreme contrast between dark and bright areas. The E-520 addresses this challenge with Shadow Adjustment Technology that compensates for extreme contrast and maintains visible detail in both the shadow and highlight areas of the scene. Now users can preview and capture images showing the shadow detail they saw. This feature is also available in the Edit menu after the shot has been taken.

Preview a Multitude of Possibilities
Perfect Shot Preview enables users to preview and select from a variety of thumbnail previews of the photographic effects of white balance and exposure compensation adjustments live on the LCD before taking the photograph. It is an ideal way for novice users to learn about the effects of different photography techniques, visually, without having to scroll through menu options. With 20 preset scene-select modes for every imaginable shooting scenario from underwater photography to fireworks, and program, automatic modes and full manual controls, the E-520 offers a world of possibilities to photographers.

Experience Life under the Sea
Olympus will offer the PT-E05 optional underwater housing for the E-520 to allow photographers to document the richness of life in the depths. Capable of reaching depths of 130 feet underwater, the housing will ensure that divers will not miss an image during their journeys to the abyss. Special underwater scene modes on the E-520 will assure that the camera is set up correctly for underwater use.

Wireless Flash Capability
Sometimes wireless flashes can help photographers cast the best light on their subjects and capture great images. For this reason, the E-520 is compatible with the Olympus FL-50R and FL-36R wireless electronic flashes that are designed exclusively for digital photography. When these flashes are used in combination with the E-520, wireless multi-flash photography is possible. The E-520 can control up to three wireless flash groups independently, with multiple flash units in each group.

TruePic III for Image Clarity & Speed
The 10.1 megapixel E-520’s TruePic III Image Processor produces crystal-clear photos using all of the pixel information for each image to provide the best digital images possible for every photo with accurate color, true-to-life flesh tones, brilliant blue skies and precise tonal representation in between. TruePic III also lowers image noise by one step to reduce graininess in images shot at higher ISO settings, enabling great results in low-light situations.

Dust Reduction System for Spot-Free Images
Life moves too fast to spend time worrying about dust ruining the perfect image. Olympus’ proven Dust Reduction System produces spot-free photos with the exclusive Supersonic Wave Filter™. The patented ultrasonic technology vibrates to remove dust and other particles from the front of the image sensor and captures it on a special adhesive membrane every time the camera is turned on. These spot-free photos liberate users from hours spent retouching photographs at the computer or sending their cameras back to the manufacturer to remove dust trapped inside.

Easy to Handle, Easy to Operate
The E-520 is extremely portable, measuring 5.35 inches (width) by 3.6 inches (height) and 2.68 inches (depth), excluding protrusions, and weighing 16.75 ounces (body only). The new camera has a classic penta-mirror design that is light and compact enough to shoot with all day. It features a comfortable ergonomic grip to ensure that the camera fits snugly in the hand. Beyond its portable size, the E-520 has an expanded menu for greater control and buttons on the body for quick and easy direct access to the most common settings. Accepting both CompactFlash Type I & II, Microdrives and xD-Picture Cards, the camera provides a choice of data-storage options for enhanced flexibility, and it is possible to transfer image files from one card to the other right inside the camera.

100% Digital-Specific Lens for Sharpness and Rich Colors
The E-520 outfit includes a compact, Zuiko Digital 28-84mm equivalent (ED 14–42 mm Four Thirds) f3.5–f5.6 lens that perfectly matches the imager so light strikes the sensor directly to ensure rich, accurate colors and edge-to-edge sharpness. Its 3x ED Glass zoom lens covers the range most frequently used in photography and weighs just 7.5 ounces, offering users an extremely dynamic, portable, everyday-use zoom. Close-ups as near as 9.84 inches (0.25 m) are possible throughout the zoom range. This lens is part of Olympus’ expanding line of 100 percent digital lenses – designed specifically for digital photography. Unlike other camera companies, Olympus does not rely on old film lenses, which often result in images with soft edges or other imperfections.

Availability
The Olympus E-520 Digital SLR will be available in July 2008. It includes: E-520 Body, USB Cable, Video Cable, Li-Ion Battery Pack (BLM-1), Li-Ion Battery Charger (BCM-2), Shoulder Strap, OLYMPUS Master Software CD-ROM, Manuals and Warranty Card.

U.S. Pricing/Product Configurations
E-520 body Estimated Street Price: $599.99
E-520 with ED 14–42mm f3.5/5.6 Zuiko Digital Zoom Lens Estimated Street Price: $699.99

Posted in Digital Cameras, Olympus | Tagged Olympus DSLR, Olympus E Series, Olympus E-520 | Leave a comment

Sony Alpha A200

Posted on May 9, 2008 by jonathanb

The Sony Alpha A200 is an entry level digital SLR camera featuring a 10.2 megapixel (CCD) APS image sensor, 2.7 inch LCD Clear Photo LCDTM screen (230,000 pixels), and ISO range of 100 to 3200, built in super steady shot and a burst mode of 3 frames per second to the full capacity of the card that it is using when shooting in JPEG (and for a burst of 6 frames in RAW).

The Sony A200 has an auto focus speed 1.7x faster than the previous model; improved predictive control performance; quieter shutter sound; automatic pop-up flash. The DSLR-A200 camera’s supplied lithium ion battery offers up to 750 shots per full charge.

Sony Alpha A200

Get a price at Amazon for the Sony Alpha A200K 10.2MP Digital SLR Camera

Sony Alpha A200 Reviews

NeoCamera reviews the Sony Alpha A200 and writes: “Noise levels are extremely low on the Sony A200. From ISO 100 to 800, there is barely any noise to notice and only a slow degradation of image details due to noise reduction.…The bottom line is that the Sony Alpha A200 is positioned to satisfy new DSLR owners by giving them excellent image quality and speed in a simple to use model…it has a good feature set, including body-based image stabilization, dust-reduction and most features that are expected from a modern DSLR. ”

PhotographyBlog reviews the Sony Alpha A200 and writes: “The Sony A200’s first impressive feature in terms of image quality is the extensive and very usable ISO range of 100-3200. ISO 100-400 is noise-free, whilst ISO 800 and 1600 produce more than acceptable results, and the fastest speed of ISO 3200 is OK for emergency use…. If you have no investment in a DSLR system and you’re looking for an entry-level model, the Sony A200 is a real alternative to the likes of the Nikon D60, Canon EOS 450D and Olympus E-510. It may not be the most exciting camera on paper, with no Live View and "only" a 10 megapixel sensor, but in practice it’s an easy-to-use, solid proposition from which you can confidently upgrade in the future to a more feature-rich model.”

Steve’sDigicams reviews the Sony Alpha A200 and writes: “Noise levels were also good for a model in this class. Imager noise is very low at ISO speeds of 400 and below. At 800, you can start to see some speckling in the dark or low contrast areas of the image, when viewing them at 100% for critic inspection. However, they are still capable of producing very nice prints… The Sony Alpha 200/DSLR-A200 is a worthy competitor in the entry-level market, offering awesome image quality, robust performance, great ergonomics and loads of useful exposure options. One feature that stands out is the Super SteadyShot option.”

DCRP reviews the Sony Alpha A200 and writes: “The DSLR-A200’s performance was very good in most respects. The camera is ready to start taking photos as soon as you slide the power switch. Focusing speeds were excellent, with the only exception being in low light, where they were on the slow side of things (even with the flash-based AF-assist lamp). Shutter lag wasn’t a problem, and shot-to-shot delays were minimal… Overall, the A200’s photo quality was very good, but the difference between RAW and JPEG images is disconcerting. JPEG images are considerably softer than those taken in RAW format, with noticeable noise reduction artifacting starting at ISO 200 in low light, and ISO 800 in good light.”

ImagingResource reviews the Sony Alpha A200 and writes: “Sony has shipped a digital SLR that I find easy to recommend to anyone, a position previously held mainly by the Nikon D40/D40x and Canon Rebel XT/XTi. The Sony A200’s handsome, compact body fits well in most hands, and it is easy to learn and use on a daily basis… The Sony A200 delivers. It works very well, is easy to understand and use, and most importantly it produces great images.”

CNET reviews the Sony Alpha A200 and writes: ” The good: In-body image stabilization; supports wireless flash. The bad: Loud; Sony doesn’t have a stable of inexpensive lenses for consumers; oddly located, proprietary USB connector. The bottom line: The Sony Alpha DSLR-A200 is a solid entry-level dSLR that doesn’t really stand out in its very competitive field. ”

DigitalTrends reviews the Sony Alpha A200 and writes: “This entry-level D-SLR has a lot of things going for it: quick focusing, fast shutter speed, lots of tweaks for those who want them plus it captures good 10MP stills with accurate colors and nice contrast… Those moving up from a point-and-shoot will be happy with the A200—especially when they capture a winning goal or a terrific smile your old camera would’ve missed.”

TrustedReviews reviews the Sony Alpha A200 and writes: “..the A200 is a definite improvement over the A100. As with most DSLRs the A200 starts up in well under a second, and shuts down again almost instantly on power-off. The AF system is now much faster and more accurate, and is noticeably better at locking on quickly to low-contrast or poorly lit subjects… It ticks all the right boxes, with an attractive and easy-to-use design, brisk performance and good picture quality. Its feature set will leave advanced amateurs and semi-pros wanting more, but that’s pretty much the idea of an entry-level camera. For the price it offers a comprehensive package for the first-time user with very few problems.”

CameraLabs reviews the Sony Alpha A200 and writes: “In terms of actual improvements over its predecessor, the A200 has only a handful including a maximum sensitivity of 3200 ISO, quicker AF speed, a slightly bigger screen, support for an optional battery grip and the inclusion of an Info Lithium battery pack to deliver accurate feedback on remaining charge. The body and control layout has also been tweaked…especially with its superior high ISO performance, but with built-in stabilisation at a similar RRP, the Sony still looks strong. It’s also looking good against Nikon’s new entry-level D60..So as it stands, the A200 may be unremarkable, but remains a good, solid, entry-level 10 Megapixel DSLR we can easily recommend..”

PhotoReview.au reviews the Sony Alpha A200 and writes: “Image noise was generally low at high ISO settings, even with the in-camera noise-reduction processing turned off. At ISO 3200, both pattern and colour noise could be discerned but we found no evidence of stuck pixels and the noise pattern was not overly intrusive. Shots taken at ISO 1600 were of printable quality…The DSLR-A200 represents excellent value for money and provides all the adjustable controls a keen photographer requires in a compact, affordable body. It also offers slightly better continuous shooting capabilities than its higher-resolution rival.”

LetsGoDigital reviews the Sony Alpha A200 and writes: “As far as ISO sensitivity is concerned you will achieve the best results with this sensor using ISO sensitivity up to ISO 800. Higher ISO than this will influence the image quality due to noise even with the improved noise reduction trying hard. The higher the ISO setting the more the quality drops. To prevent using high ISO you can activate the SuperSteady Shot mode.… The Sony Alpha 200 is a joy to work with and the camera performs really well. So if you can’t wait any longer and you want to get going shooting away, the choice for the Alpha 200 is an excellent one!”

DPExpert reviews the Sony Alpha A200 and writes: “The camera is compatible with Minolta auto-focus lenses which means there is some second-hand glass available. We tried an old Minolta lens with mixed results – sharpness was better but contrast was worse. Unlike Canon, who offer the 400D with a choice of lenses of different qualities and prices, Sony’s approach is to sell the a200 with the lenses in the box. We suspect a good camera compromised by cheap lenses.”

Posted in Digital Cameras, Sony | Tagged Sony, Sony Alpha, Sony Alpha A200 | Leave a comment

Kodak Easy Share C813

Posted on May 8, 2008 by jonathanb

The Kodak Easy Share C813 is a 8.2 megapixel entry level point and shoot digital camera.

The Kodak C813 features a 3x optical zoom lens, a 2.4 inch (6.1 cm) indoor/outdoor color display, digital image stabilization, ISO up to 1250 and video with sound and print options. The HD still capture option allows you to view your pictures in high definition on an HDTV or any other HD device.

Kodak C813 Features:

• 8.2 MP camera for prints up to 30 × 40 in. (76 × 102 cm)
• 3X optical zoom lens
• 2.4 in. (6.1 cm) indoor/outdoor color display
• Digital image stabilization
• High ISO, up to 1250
• HD still capture
• Video with sound and print options

Highlights of the Kodak C813:

Shoot It.

Exceptional quality prints with 8.2 MP
8.0 MP for stunning prints up to 30 × 40 in. (76 × 102 cm)
More megapixels means you can crop and still get a great picture
Capture bright, beautiful color with KODAK Color Science
However you choose to print—at home, at retail, or online—trust Kodak for picture quality that’s truly exceptional and for memories that will last

Zoom It

3X optical zoom lens
The KODAK AF 3X Optical Aspheric Zoom Lens (35 mm equivalent: 36–108 mm) captures crisp details and gets you closer to your subjects without losing picture quality
5X digital zoom enlarges your pictures even more

Experience It

We made sure it had the one feature you’ve come to expect—simplicity. Because if your camera is simple to use, you’ll love to take pictures.

Digital image stabilization
Reduce blur caused by camera shake or subject movement
The camera software automatically minimizes camera shake to deliver a clearer picture

Indoor/outdoor color display
View your pictures with brilliance and clarity on the 2.4 in. (6.1 cm) color display

High ISO
Capture all the details in low light conditions and fast action situations with high ISO (up to 1250)

HD still capture
View your pictures in high definition on an HDTV or other HD device

Shoot video with ease
Capture life in motion with continuous VGA video (640 × 480 at 15 fps) featuring audio capture and on-camera editing
Video print options including 1, 4, 9, or 16 up prints, plus view and share single frames

Scene and color modes
Get great shots time after time with 16 programmed scene modes, including auto, sport, portrait, snow, fireworks, backlight, and party
Have fun with 3 different color modes: color, black & white, and sepia

KODAK PERFECT TOUCH Technology
Make your pictures as vivid as the moment you took them. Print better, brighter pictures using KODAK PERFECT TOUCH Technology.

Relive your memories in richer detail
Clear up dark shadows to reveal more smiles

Picture enhancing and editing features
Achieve the perfect shot with on-camera features such as cropping, blurry picture alert, and undo-delete

Internal memory plus
Don’t miss a shot if your memory card becomes full—switch to in-camera memory quickly, thanks to the internal memory plus feature
16 MB* internal memory, SD card expansion slot lets you start shooting right out of the box

Posted in Digital Cameras, Kodak | Tagged Kodak, Kodak C813, Kodak Easy Share | Leave a comment

Kodak Easy Share C713

Posted on May 7, 2008 by jonathanb

The Kodak Easy Share C713 is a 7.0 megapixel entry level point and shoot digital camera.

The Kodak C713 features a 3x optical zoom lens, a 2.4 inch (6.1 cm) indoor/outdoor color display, digital image stabilization, ISO up to 1250 and video with sound and print options. The HD still capture option allows you to view your pictures in high definition on an HDTV or any other HD device.

Kodak C713 Features

• 7.0 MP camera for prints up to 20 × 30 in. (50 × 76 cm)
• 3X optical zoom lens
• 2.4 in. (6.1 cm) indoor/outdoor color display
• Digital image stabilization
• High ISO, up to 1250
• HD still capture
• Video with sound and print options

Highlights of the Kodak C713:

Shoot It.

Exceptional quality prints with 7.0 MP
7.0 MP for stunning prints up to 30 × 40 in. (76 × 102 cm)
More megapixels means you can crop and still get a great picture
Capture bright, beautiful color with KODAK Color Science
However you choose to print—at home, at retail, or online—trust Kodak for picture quality that’s truly exceptional and for memories that will last